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Megan Phipps

Disruptive CGI and Digital Aesthetics: Counter-culture, Counter-corporate, and Corporeal Examinations in Experimental Digital Art

Disruptive CGI and Digital Aesthetics: Counter-culture, Counter-corporate, and Corporeal Examinations in Experimental Digital Art

Abstract This paper contributes a digital-aesthetics approach to relevant new media discourse topics concerning the market, power and control, and identity formation by way of discussing the phenomenon of computer-generated imagery (CGI). Specifically, I will examine experimental digital artists...
Abstract Digital Spatial (Infra)structures: Shaping Possibilities of Migrant Movement Through Data Collection Methods, Audiovisual Surveillance, and Structural Mapping

Abstract Digital Spatial (Infra)structures: Shaping Possibilities of Migrant Movement Through Data Collection Methods, Audiovisual Surveillance, and Structural Mapping

Keywords – digital immigration methods ■ refugee ■ migrants ■ asylum ■ data collection ■ spatial surveillance ■ architectures of displacement ■ mapping technologies ■ Automated (Spatial) Learning Systems Introduction: Abstract Digital Space as Reductive Space: Data Collection of...
ecoarttech: techno-art connecting people with nature

ecoarttech: techno-art connecting people with nature

The New Media art partnership between Cary Peppermint and Leila Christine Nadir entitled ecoarttech aims to repurpose the use of common technologies (e.g. smartphones) with the intent of bringing global communities closer together, as well as local communities closer to,...
Time and Algorithmic Music Composition

Time and Algorithmic Music Composition

Time and Algorithmic Music Composition     Information and communications technologies proliferate today, and with them, the continuous generation, processing, recording, circulation, and visualization of ever more data.  The societies of control theorized by Deleuze and others are said...