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“De Sleepwet”: Why five students are trying to protect the privacy of Dutch citizens

“De Sleepwet”: Why five students are trying to protect the privacy of Dutch citizens

A revised version of the Dutch law on intelligence and security is challenged by five students, because it violates the right to privacy. They started a campaign with the goal to enable a referendum, in an effort to protect...

Let’s go out for digital dinner

iOS Application developpers seem to learn fast from each other these days; in a short amount of time, many applications for pairing wine with a main dish have been developped and its content has been extended. For example, on the application market were...
The Visual Language of New Media: the book as database

The Visual Language of New Media: the book as database

– By Katía Truijen, Eva Valkhoff, Serena Westra and Sasha Wood What happens when you transform a book into a new media object? Can you visualize a book in a new media way? And what happens to the narrative...
Peas and carrots, Bonnie and Clyde, database and narrative

Peas and carrots, Bonnie and Clyde, database and narrative

Okay, first of all sorry for the title. If you are hoping to get some randy Bonnie and Clyde details or some smashing peas and carrots recipes, I am afraid I will have to disappoint you. But, if you...
Google and the Principles of the Semantic Web

Google and the Principles of the Semantic Web

One of the first goals of the Internet was to expand the knowledge of the users by connecting different data. However, the contemporary web is by no means comparable to this initially academic network. The web expanded unprecedentedly and...

Review on Stephen Baker’s The Numerati

Stephen Baker’s The Numerati, published in 2008, tells the story of our modern world’s “binarization;” how every individual is deduced to ones and zeroes through the trails of data we leave behind which are consequently gathered, analyzed and categorized...
Bernhard Rieder: 81,498 Words: the Book as Data Object

Bernhard Rieder: 81,498 Words: the Book as Data Object

[This post was originally published on The Unbound Book Conference Blog) The second session of day 1 of the Unbound Book conference – also titled The Unbound Book – was moderated by Geert Lovink, and discussions of what a book becomes once...
The rebirth of data – between database and narrative

The rebirth of data – between database and narrative

In arts, it has always been customary that artists influence each other and build upon the work of their peers. However, in the 20th century, this tendency magnified even further. Art movements like pop art and Dada, with their...

Book Review: “Nach Feierabend: Daten” [After work: Data]

Data have an incredible argumentative potential. Data can be produced, filed, saved, evaluated, spread, sold, aggregated, falsified, interpreted, transmitted, protected, processed and combined. Data show relations, support theses and disprove assumptions. Data can also change over the time and...

Who do you think you are?

Review: Karin Spaink, Wie is U? Ever had a Déjà vu, the feeling that you have experienced something before? It’s a strange feeling. You can’t exactly explain what it is and where it comes from, but it’s there. You...
Remixing Cinema Discussion Streams: Sean Cubitt and Lev Manovich

Remixing Cinema Discussion Streams: Sean Cubitt and Lev Manovich

For the Danube Telelecture series, Sean Cubitt ( “Immersion, Connectivity, Conviviality”) and Lev Manovich (“After Effects, or Invisible Revolution”) gave lectures and discussed the topic of Remixing Cinema: The Future and Past of the Moving Image. Cinema as a...

Rethinking the Blog as Database: My First Post on the Blog Herald

I am proud to announce that I have joined the Blog Herald. The Blog Herald has been blogging about the blogosphere since 2003 and has since become an established source in the blogosphere. I have been reading the Blog...

Lev Manovich on User Generated Content @ Video Vortex

The following post is a combination of a transcription of Manovich’s keynote and my own notes and commentary. Introduction by Geert Lovink Online video is renegotiating its (problematic) relationship with cinema. It deals with cinematographic principles versus the principles...