Tag Archives: networkcultures

Book Review: “Netze und Netzwerke” – by Sebastian Gießmann

In Netze und Netzwerke, Sebastian Gießmann makes a quiet daring attempt to historically map the rise of grids and networks between 1740 and 1840. He views such as not only rising technologies and methods of scientific research, but also as culturally intertwined practices. By means of examining crucial historical moments in which the concepts of networks first…

The Artist Moving (through) the Web @ Video Vortex

Ruschmeyer @ Video Vortex

German video maker Simon Ruschmeyer explores the borderline areas between traditional audiovisual narration and the new possibilities given by interactivity and networked communication. He explores this interface between classical moving media (film/video) and new interactive forms (web/media art) both in theory and in practice. Ruschmeyer has realized many video projects and has recently finished his paper “The moving…

24/7 Time and Temporality in the Network Society

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Real time, cyber time, machine time, clock time, chronos time, frankentime, mythic time, objective time, natural time, subjective time, present time, timeless time, being time, bullet time, internet time, chronoscopic time, global standard time, local time…are you still there? 24/7, Time and Temporality in The Network Society (Robert Hassan and Ronald E. Purser, Stanford Business Books 2007),…

Review of Information politics on the Web (review by Adrienne Massanari)

book coverRichard Rogers is head of the new media department from the University of Amsterdam. Adrienne Massanari wrote a review on Rogers book “information politics on the Web”.

Information Politics on the Web

Author: Richard Rogers
Publisher: Cambridge, MA: MIT Press, 2004
Review Published: February 2007

Scholars are increasingly interested in the politics that influence and…

MyCreativity: Made in Europe Part II: Dispatches from the City

The closing session of MyCreativity continued the previous session on dispatches from the city: Examples of the Creative Industry -or insert preffered term here- from around Europe. The first session covered Vienna, Dublin, Barcelona and Basel.

In this second session we’re venturing into London, Helsinki, Berlin and with Rotterdam we’re bringing MyCreativity back home to the Netherlands. What…

MyCreativity, Fifth Session (Creative Labour and Precarious Creativity) Part Two

photo of davidCreative labour as the basis for a critique of creative industries policy- David Hesmondhalgh

At this presentation Hesmondhalgh would to like think about how an analysis of creative labour might contribute to critique. Therefore he suggests three critical approaches to creative labour:

1. NICL: This term was created by

MyCreativity, Second Session Part Two

MyCreativity: Rogerio LiraIn the second part of the second session Economy of Design Rogerio Lira, graphic designer and former student of the Sandberg Institute presented his project “Love-work: autonomous research in progress.”

His work is about the dynamics and interaction between people, the media, their emotions, their relationships and their creative processes.

MyCreativity, Second Session Part One

The title of the second session is Economy of Design. In this context Mieke Gerritzen & Teun Castelein presented the Artvertising project of the Sandberg Institute.

A Million Dollar HomepageThe project is based on the Million Dollar Homepage which is an idea of student Alex Tew. He sold a million pixels on his website for $1 each to pay…

MyCreativity Conference Photos

The Masters of Media are blogging (semi) live from the MyCreativity conference:

MyCreativity: Twan EikelenboomMyCreativity: Michael StevensonMyCreativity: Eva KolMyCreativity: Esther Weltevrede and Jasper MoesMyCreativity: Anne Helmond and Twan EikelenboomMyCreativity: Eva Kol and Roman TolMyCreativity: Michael StevensonMyCreativity: Roman TolMyCreativity: Esther Weltevrede and Erik Borra

MyCreativity, First Session Part Two

MyCreativity: Michael StevensonMatteo Pasquinelli took the podium for the second presentation, followed by Rosalind Gill and Danielle van Diemen.