New Media M.A. Research Blog | Media Studies, University of Amsterdam

Data Art: From the Aesthetic Conceptualization of Data to Information Critique

The current ubiquity of data populating every aspect of an individual’s digitally connected existence, alongside the computational possibilities of harnessing the same to convert it into distilled information, has introduced the theme of data as one of the most...

By Ana Crisostomo on 02/12/13 Comments Off

When the audience becomes the hero…

Annette Mees on theater and transmedia Annette Mees is director and co-artistic director of Coney in England. By using various media she creates special plays in which the audience is the hero: “The experience starts when you first hear...

By Katía Truijen on 10/17/12 Comments Off

Photoshop facilitates a new generation of image-makers and why it matters

There within most personal computers are applications that resolve the divide between creative thought and creative application. Today, there are hundreds of such applications but few have embedded themselves so deep in the digital era of creative production such...

By Geoff Kim on 10/17/12 Comments Off

Progress, hope, change and OBEY: Technological reproducibility in the digital age

PROGRESS, HOPE, CHANGE and Obama. These words got intertwined during the 2008 presidential campaign of Barrack Obama. The correlation factor: OBEY and the reproducibility of art in the age of digital reproduction. The following is inspired by Walter Benjamin’s...

By Charly Landman on 10/14/12 1

David Kraftsow, Justin Bieber, and the Evolution of Curatorial Practice

By: Maya Livio & Audrika Rakshit Brooklyn-based artist/programmer David Kraftsow creates works that re-contextualize and reinterpret popular culture. He is best known for his YooouuuTuuube project, an online platform that allows users to create psychedelic collages by breaking down YouTube videos into frame-by-frame grids....

By Maya Livio on 10/04/12 Comments Off

Fabbing in Brussels!

The official opening of Fablab.iMAL that took place on Friday 14th in the well-known Brussels-based Media Lab iMAL (Center for Digital Cultures and Technology) gave us the chance to look closer at personal fabrication and to observe curious artifacts....

By Aurelie Ghalim on 09/24/12 1

NIMk: Yes, they’re still open!

Before closing its doors for good at the end of this year, the Netherlands Media Art Institute dedicates an exhibition to one of the key terms in online culture: openness. Getting lost is one of the annoying, yet inevitable...

By Mathias Schuh on 09/12/12 Comments Off

Performance Art Meets Social Media: Kathryn Cornelius Marries the Internet

On Marriage and Divorce as Performance Washington, DC based performance artist Kathryn Cornelius completed her recent work, Save the Date, on August 11th, 2012. The piece was performed at the Corcoran Gallery of Art as part of Take it...

By Maya Livio on 09/11/12 Comments Off

Image Hunting: Travel Photography in the Digital Age

It won’t be a shocking discovery if I write that that digital technology dramatically changed the art of photography. Travel photography gained (or lost?) the most, since digital equipment freed this art form from being a domain of experts. Now...

By Sonia Kolasinska on 09/10/12 3

Collages by Broken Kindle Screens

A collaboration between artists Sebastian Shmieg and Silvio Lorusso, this project examines and documents 56 images of broken Amazon Kindle display screens that result in quite astonishing pieces of collage art. In an era of highly advanced computing technology,...

By Geoff Kim on 09/09/12 1

Gigapixel photography – a new vantage point

If you enjoy roaming the virtual streets of Google Maps’ Street View, take a deep breath and dive into the unique visual experience of “Gigapixel photography”. A gigapixel photograph is, mathematically speaking, an image that consists of one billion...

By Bozhan Chipev on 09/08/12 1

Digital identity in hybrid contemporary dance performances

One topic which has fascinated me for a considerable period of time is the coexistence of the multiple facets of the online and the offline universes: is the digital identity distinct from what is commonly understood as the physical...

By Ana Crisostomo on 09/05/12 1

Bioart, Ethics And Artworks

This lengthy post is part of a Critical Media Art Course. The theme of the week was "Life", and the readings provided focused on Bioart, and the concerns around it. Following an introduction to the term of Bioart,...

By Clément Adam on 04/18/12 6

Plan (Your) Obsolescence – Archive (as) Art

This article is a co-creation by Autumn Hand, Juliana Paiva, Kendall Grady and Mario Gesteira. Archive (An Informal Introduction) Let’s blow the dust and grime off the archive. Let’s get to the art of this matter too. Whether archive...

By Juliana Paiva on 03/13/12 2

Night of the Living Dead: Future Museum

An Evening with Facing Forward: Theorizing the Future This article is a co-creation by Autumn Hand, Juliana Paiva, Kendall Grady and Mario Gesteira. The five hundred forward-thinking individuals gathered for an inquiry into Future Museum were eager to pick...

By Mario Gesteira on 03/12/12 Comments Off

GLITCH/NO_GLITCH

The following report covers two sessions on the theme ‘Error’ for the MA New Media course ‘critical media art’. The first session was a presentation by Rosa Menkman, showing a lively mix of portfolio work and critical theory on...

By Martijn Dorresteijn on 02/26/12 Comments Off

Paola Antonelli – “Talk to Me” at “I don’t know where I’m going but I want to be there”

Last Saturday was the third edition of the symposium ‘I don’t know where I’m going but I want to be there’ initiated by MOTI. The topic of this year symposium was about visual culture and how these effect us....

By Marije Rooze on 12/21/11 Comments Off

Symposium “I Don’t Know Where I’m Going But I Want To Be There”

A thunderous introduction by Film + Design called ‘Modern Worship’ shows a time-lapse video image of a dancing King of Pop impersonator in full glitterati, refracting the stage-lights in a multitude of sparkles and starbursts, while slo-mo moonwalking across...

By Martijn Dorresteijn on 12/19/11 Comments Off

Overview on the “I don’t know where I’m going but I want to be there” annual symposium

On Saturday December 17th, The Museum of the Image (formally known as the Graphic Design Museum) organized a symposium about visual culture in Paradiso, Amsterdam. The symposium brought together a crowd of professional, students and industries from the fields...

By Clément Adam on 12/18/11 Comments Off

Festival Cultura Digital – Rio de Janeiro Brazil

A short summary of our experiences as map:m()b at the Cultura Digital Festival in Rio de Janeiro, Brazil. Festival Cultura Digital is an International encounter where different people, projects and groups present themselves in order to strengthen an international...

By Fei An Tjan on 12/15/11 Comments Off

Exit Through the Webshop

The following is an interview with the founder of dutchdamage, Matthijs van der Meulen, currently head of the digital media department at the Stedelijk Museum Amsterdam. Q: How did Dutchdamage come into being? A: In 1996 I started taking...

By Martijn Dorresteijn on 11/04/11 Comments Off

On the Nature and Culture of Photography

The praxis and technology of photography has seen dramatic transformations over the last century. The most obvious transformations taking place in the last decade of the 20th century, marking the shift from analog to digital photography. Yet another shift...

By Martijn Dorresteijn on 11/02/11 4

Twisting perspective: Sagmeister

Sagmeister was born in1962, he is an Austrian designer. He studied at the University of Applied Art Vienna and the Pratt Institute in New York where he had a full scholarship. He always was passionate for designing covers for...

By Mario Gesteira on 11/01/11 Comments Off

Interview with Hein Wils: Stedelijk Museum and ARtours

In January 2010 the Stedelijk Museum’s ARtours project started. Hein Wils (43) leads this augmented reality project and is also involved in everything that works with mobility. The project will end by March 2012, but he remains employed as...

By Erik van Mastrigt on 10/31/11 Comments Off