Natalie Bookchin with Geert Lovink. Photo: Anne Helmond Artist Natalie Bookchin took time to talk to Geert Lovink about online video and her artistic practice...
In his presentation at the VideoVortex #6 conference in Amsterdam, graphic designer and project director Roel Wouters introduced the audience to interactive projects which include dynamic media such as web video and animation to install crowdsourced performances. With...
By Caroline Goralczyk
on 03/13/11 Comments Off on Online Video Art at Video Vortex 6: Conditional Design
In his talk on the cultural value of amateur video at the VideoVortex #6 conference in Amsterdam, the author, scholar and artist Michael Strangelove explained how amateur productions will gain greater value due to their potential of challenging...
By Caroline Goralczyk
on 03/13/11 Comments Off on Michael Strangelove @ Video Vortex 6: “Any Moment Will be a Youtube Moment”
The final speaker for the session Cinema and Narrativity was visual artist Dan Oki. In contrast to Jan Simons and Thomas Elsaesser, who drew on 'old media' to analyze the Web, Oki's talk focused on how the database...
By Michael Stevenson
on 01/20/08 Comments Off on Video Vortex: Dan Oki, ‘Cinema as Research Database’
'Constructive instability' is how Condoleeza Rice described the Israeli-Hezbollah conflict in the summer of 2006. It's a term that brings to mind tropes of globalization - maybe a synonym of precarity, or the state that produces a desire for...
This session is the most concrete session of today. The focus is on practical views on online video from the perspective of speakers' practices. How do video artist, activists, programmers and curators deal with copyright issues, publishing and distributing...
To much disliking of my parents, as a kid I frequently would watch low budget television programs based on audience generated video fragments and unscripted pranks. These programs included the popular America’s Funniest Home Videos and candid camera shows...
Friday January 18 and Saturday 19th, PostCS11, Amsterdam. ░░░░░░░░░░░░░░░░░░░░░░▒░▒▒▓▓▓▒▒░▒░░▒░▒▒▓▓▓▒▒▒▓ In response to the increasing potential for video to become a significant form of personal media on the Internet, this conference examines the key issues that are emerging around the...
By Rosa Menkman
on 01/15/08 Comments Off on Video Vortex: Responses to YouTube
In ‘the declaration of independence of cyberspace’ John Perry Barlow spread a utopian view on the internet in witch users will create their own rules and laws without restrictions or political interference. In this post I will compare this...
Friday evening at VideoVortex in Brussels, Ana Kronschnabl and Tomas Rawlings showed “a selection of exceptional, witty and provoking Internet videos, compiled for the occassion by international and local guests”, which can be seen here. Most of us...
This weekend Masters of Media visited VideoVortex in Brussels. VideoVortex is a recurring conference, organized by the Institute of Network Cultures and mainly focuses on the independent production and distribution of online video content. This time, the...
German video maker Simon Ruschmeyer explores the borderline areas between traditional audiovisual narration and the new possibilities given by interactivity and networked communication. He explores this interface between classical moving media (film/video) and new interactive forms (web/media art) both...
The main question that was posed in this lecture was ‘Why is this conferention about Youtube, and not one of the other websites that allow people to watch video’s online?’ Because Youtube isn’t the first website that offers people...
The subtitle of this conference is Responses to YouTube, and at least one alternative to the world’s largest supplier of piano-playing-cat videos comes in the form of ‘soft video’, via Australian media scholar Adrian Miles. Some of the questions...
The following post is a combination of a transcription of Manovich’s keynote and my own notes and commentary. Introduction by Geert Lovink Online video is renegotiating its (problematic) relationship with cinema. It deals with cinematographic principles versus the principles...