In his presentation at the Video Vortex #6 conference in Amsterdam, graphic designer and project director Roel Wouters introduced the audience to interactive projects which include dynamic media such as web video and animation to install crowdsourced performances. With his collegues Luna Maurer, Jonathan Puckey and Edo Paulus he has published the Conditional Design Manifesto, which is based on the work of his collective called Conditional Design and emphasizes the idea of following processes in the digital realm rather than its products.
In his talk on the cultural value of amateur video at the Video Vortex #6 conference in Amsterdam, the author, scholar and artist Michael Strangelove explained how amateur productions will gain greater value due to their potential of challenging the meaning of things, their subvertion of capitalist modes of production and their use by individuals as tools for self-representation of the world. Why does ‘Laughing Baby’, ‘David coming back from the dentist’ or the ‘Star Wars Kid’ make a difference in our lives? And what is it that makes online video different from TV? Dr.Strangelove’s answer to this is straight to the point: “It’s the amateur”.
Ronen Shay
|
12 September 2010, 8:01 pm
|
tags: advertisements, business model, commercials, IP video, new media, online video, stations, television, video, viewership
“From 2007 – 2009, I coordinated website content and online initiatives for a community television station. In this time I was able to experience first hand the fear traditional television stations have of losing viewership to the Internet.”
The traditional television business model generates revenue through commercials and advertisements. This revenue is in turn used to finance…
Doc Lab programmer Caspar Sonnen explains he is focused on “finding ways to reach an audience bigger than just new-media experts… the point is that there are great stories emerging online and we have to show them!” This seems to be the driving force behind the new Idfa’s Doc Lab.
There has always been fear towards new technologies that create new ways of recording and sharing cultural products. The videotape made owners of these products extremely nervous, because it allowed viewers stay at home to record and share what was on the television. This fight has been replayed by users and producers ever since mechanical reproduction made it possible to…
Paulien Dresscher
|
20 January 2008, 9:22 pm
|
tags: art, curating, Emma Quinn, film, new media, online video, Patrick Lichy, Sarah Cook, Thomas Thiel, web 2.0
This part of the conference is dealing with curating online video and was moderated by Vera Tollmann. The main question was why filmmakers and artists working with moving images don’t occupy Youtube as the perfect way to archive and distribute their work and to reach larger audiences. Bands and musicians inhabit Myspace, but why don’t use artists the…
Last Friday, I attended Creative China, a partner event at Picnic 2007. One of the main topics of this seminar was the use of Internet versus government regulations and Internet restrictions in China. The Internet is by no means a tool for self-expression, if it was up to the Chinese government to decide, but in reality, Chinese users are vehemently…